2018 Choral Festival - Berlioz Requiem Redux
We revisited this great
masterwork using Adrian Horn's newly revised adaptation. Andy was pleased with the results, so we can look for choruses
around the country to put this version to work. Eric Townell conducted, Daniel McInerney reprised his famous Sanctus, and
members of the Penfield Symphony Orchestra with auxiliary brass excelled in the demanding score and in the Hungarian
March from Berlioz's "The Damnation of Faust," which opened the concert. Choristers from Long Island to Buffalo
joined FLCF in the final week, having prepared independently. More than 600 attended the free performance. A great afternoon
2017 Choral Festival - "When Love Goes Wrong"
Love Goes Wrong" was probably the best received concert in the history of FLCF, and arguably one of the most exciting
choral/vocal concerts to be performed locally in years. We have heard from so many in attendance in such stunning
superlatives, that posting them here would dilute their eloquence. Suffice it to say that it all came together in
a way few of us could have imagined. "Stoked" is a word that come to mind. We performed some of the
most exciting and memorable music of Donizetti, Verdi, Puccini, Saint Saens, Purcell, Grieg, Bizet, and even Wagner, featuring
selections from Lucia di Lammermoor, Samson, Tosca, Aida, Il Trovatore, Otello, Carmen, Dido & Aeneas, Faust, and as
a respite from the heart-wrenching drama of end-to-end love disasters, we added the glorious and redemptive final scenes
of Turandot and Tannhauser. Every selection was met with thunderous applause, standing ovations and shouts of bravo.
Many of our participants and audience members are still humming tunes weeks after the concert!
2016 Choral Festival – Verdi Requiem
Full house, extraordinary soloists, great orchestra, brilliant chorus, soaring performances, totally stoked audience,
musicians and singers--many in tears. Absolutely and unequivocally, this was our best concert ever!
2015 Choral Festival – Mozart Grand Mass in C Minor
We performed the sublime and mysterious Grand Mass in C Minor at Hochstein
Performance Hall on July 19, at 4PM, then members of the chorus flew to Hawaii to join forces with the Maui Chamber
Orchestra and the Maui Masterworks Chorale for a repeat performance on August 2, at the Maui Arts and Cultural Center.
Many have asked about our trip. It
was an incredible experience that none of us will soon forget. We had it all! Sun and surf, trips to Iao Valley, Maui Ocean
Center, Lahaina, Haleakala's 10,000 ft. summit, the Road to Hana, snorkeling, a ukelele welcome at the airport, more
leis that you can imagine, an incredible concert with incredible people before a gorgeous concert hall filled with a wildly
enthusiastic audience, followed by an outdoor dinner with nearly 200 singers, musicians and our generous and welcoming hosts.
You couldn't buy this experience for any amount of money. Just the luau on our last night would have been worth coming
2014 Choral Festival – Brilliant Bach
Our concert on Sunday, July 27, was a rousing success. Hochstein Performance Hall
was filled to near capacity with the largest audience seen for a choral concert in recent years, and the chorus, orchestra
and soloists were spectacular! We performed the magnificent Magnificat, joyous Cantata
#191 (Gloria in Excelsis), Jauchzet frohlocket from the Christmas Oratorio, and the lofty final chorus from B Minor Mass (Dona
nobis pacem) l -- and again were able to offer this concert free to the community, thanks to the generosity of our singers
and donors. The concert was sponsored in part by Wegmans.
2013 Choral Festival - Grieg's "Peer Gynt"
Grieg's brilliant Peer Gynt Suites are known to virtually everyone, but many do not know that they are taken from the
seldom performed Incidental Music to Henrik Ibsen's dramatic poem Peer Gynt. Our unique adaptation of this musical fantasy
had it all: predation, betrayal, sex, humor, chicanery, love, redemption, and the warm glow of a sappy ending. Also on the
program was Antonin Dvorak's stunning setting of Stabat Mater, a mighty work with the power to transport the listener
to the Gates of Paradise.
2012 – The
Berlioz Requiem Revisited, this time
in San Francisco: In a unique partnership of over 300 singers and musicians from New York and San
Francisco, the combined Finger Lakes Choral Festival, Redwood Symphony and augmented San Francisco Lyric Chorus presented
a spectacular program, featuring the Berlioz Requiem, on August 5, at Louise M. Davies Symphony Hall, the home of the San
Francisco Symphony. The concert was hailed by San Francisco Classical Voice as the "Mega-Concert of the Year.
Or Years!" And further added that the program "Exceeded all expectations." Many singers and musicians
reported that this performance was the musical highlight of their lives.
2011 – St. Matthew Passion
on a quest to perform the world's greatest choral works, one by one, we went to the heart of superlative music this summer
to perform Bach's towering St. Matthew Passion - - only this time in a ground-breaking new version tailored to replicate
the experience of Bach's original audience. The performance was in English, with most of the recitatives converted
into spoken narratives. This gave clarity to the story line and focused attention on the arias and choruses that
make the Passion one the most profound musical works ever written. And the program again was offered with no admission
charge as our musical gift to the community.
2010 – The Berlioz Requiem
Searching for the right words
to describe our two performances of the Grande Messe des Morts, "WOW!" seemed the most appropriate. Judging from the responses of the
near-capacity audiences at Hochstein Performance Hall, it was an emotional tour de force, with reactions ranging from awe
at the sheer power of this magnificent work, to tears from the stunning beauty of its quieter moments. And the ending - -
WHAT an ending! A haunting, ethereal wisp of sound that floated weightlessly into eternity.
2009 – Beethoven Missa Solemnis
So many great choral
works - so little time! With this in mind, we went right to the top of the short list to take on the
challenge of performing possibly the greatest choral work of all, Beethoven's Missa Solemnis - - a towering masterpiece
that bursts at the seams with unforgettable power, pathos and soul-searing beauty. Performances took
place on Saturday, July 25 at 8 PM and Sunday, July 26 at 4 PM, at Hochstein Performance Hall in Rochester. We hope you were
able to hear this seldom performed majestic work. Beethoven himself thought it to be his finest
effort and inscribed on the title page, "From the heart, may it in turn return to the heart."
– Beethoven Rocks!
This was a powerful All-Beethoven program, featuring
seldom performed works from the Ruins of Athens, King Stephan and more, plus the Choral Fantasy and Ode to Joy movement of
the Ninth Symphony. Performances were held at Hochstein Performance Hall on June 29, and at Chautauqua Institution on July
26, our fifth year in a row to be invited to sing at this world-class venue before another audience of 5000. An excerpt of
a review of the concert from the Daily Chautauquan follows:
"The all-Beethoven program presented by
the Chautauqua Symphony Orchestra Saturday night at the Amphitheater was anything but routine. In fact, for a concert devoted
to arguably the biggest of the so-called three B’s, this one was practically wild. Not that the performances were out
of control. On the contrary, the CSO, music director Stefan Sanderling, the Finger Lakes Choral Festival and the many guest
artists who joined them were, for the most part, paragons of musical virtue."
OUR DEVILISHLY EXCITING PROGRAM - FAUST, CARMINA & THE NINTH
We raised the roof at Hochstein Performance Hall on Saturday, July 28, and Sunday, July 29, with a rollicking celebration
of earthly pleasures and capricious fate, and blew the audience away with the devilishly exciting final scenes from the Faustian
operas of Berlioz and Boito. As advertised, our massive chorus took that pulse-pounding ride through Pandemonium and emerged
triumphant over the forces of evil in the breathtaking, jaw-dropping finale. Comments like: the best, the most exciting,
amazing, exhilarating concert they ever heard. One woman in the audience said that it was even better than chocolate!
On August 18, as an encore to our 2007 season, the Choral Festival once again visited Chautauqua Institution, this
time to sing Beethoven's Ninth Symphony at Uri Segal's farewell performance as regular conductor of the Chautauqua
Symphony Orchestra. The historic amphitheater, pictured above, was packed to the gills with over 6,000 enthralled spectators,
and when the music stopped, there was an explosion of cheers that rocked the gentility of this peaceful oasis of art and culture.
It was electric!
2006 – Beethoven and Mozart
Beethoven's Ninth Symphony, Saturday, July 8, with the Rochester Philharmonic
Orchestra, to celebrate the opening of the new state of the art CMAC Performing Arts Center in Canandaigua.
Grand Mass in C Minor, Saturday, July 29, at Chautauqua Institution, with an additional performance on Thursday, July 27,
at Hochstein Performance Hall in Rochester.
only did we have the privilege of performing at the RPO's inaugural concert at the brand spanking new spectacular 5000
seat Performing Arts Center in Canandaigua, we performed at Chautauqua Institution again. This was our third year in a row
to be invited to perform at this idyllic summer oasis of art and culture. Interesting factoid: with combined CMAC and
Chautauqua audiences totaling over 7,000 in 2006, the Choral Festival has performed before almost 20,000 concert goers in
just four short years.
2005 – Verdi Requiem at Chautauqua Institution
After stirring performances
of the Brahms Requiem at Chautauqua Institution in 2004 (see comments below) and the Verdi Requiem with the Rochester Philharmonic
Orchestra at the Finger Lakes Performing Arts Center in 2003, it was a challenge to come up with a program to match these
exhilarating experiences - - but we did!
It was a day few will forget, with an afternoon rehearsal in the historic
Amphitheater, surrounded by brilliant sunshine with temperatures in the upper 70's, followed by a sumptuous buffet dinner
for singers and their guests in the Victorian spendor of the Athenaeum Hotel, an hour or two for a leisurely stroll on the
timeless Institution grounds, an then a magnificent performance under the sparkling stars over crystal clear Chautauqua Lake.
Nearly 300 voices of the combined Finger Lakes Choral Festival and Rochester Oratorio Society shimmered in the night
air with the haunting strains of "Requiem aeternum" and then exploded into the roof-raising "Dies irae,"
thrilling the audience of over 4000 appreciative music lovers. Glowing comments abounded afer a performance, under the direction
of internatonally acclaimed conductor Uri Segal, that was nothing less thanspectacular.
As reviewed by the Chautauquan
Daily: "This vibrant and beautiful performance of Verdi's masterpiece will rank as the outstanding event
of this summer's Chautauqua Symphony season."
To read the complete review, click on the "Photos"
2004 – Brahms Requiem with the RPO and at Chautauqua
"Peak experience" and other superlatives were in the air at the conclusion of the 2004 Finger Lakes Choral Festival.
After an inspirational performance of the Brahms Requiem on July 25, with the Rochester Philharmonic Orchestra, we didn't
think there could be a more exciting encore - - but we were wrong!
On July 31, the chorus traveled to historic
Chautauqua Institution for a repeat performance as part of a 465 voice massed chorus of singers from the Choral Festival,
symphony choruses from Buffalo and Erie, and a Chautauqua regional chorus. The legendary Chautauqua Amphitheater drew an
audience of well over 4,000. Now that was an experience we won't soon forget!
Debut performance: Verdi Requiem with the RPO
The newly formed Finger Lakes Choral
Festival created an instantaneous sensation on the local music scene by drawing together 200 singers from over 50 regional
communities, including visitors from a dozen states and countries, to stage a rousing performance of Verdi's great masterpiece
at the Finger Lakes Performing Arts Center with the Rochester Philharmonic Orchestra.